And its Technology and Applied Composition program, or TAC, is a state-of the-art laboratory for students to access training and expertise in music creation and sound for all digital media, including film and video games. In addition to its new professional recording studio, the school also recently purchased its own record label, headquartered in the Netherlands. Under his leadership, SFCM bought an important artist management company, Opus 3, representing professional classical, jazz and world music artists-a move without clear precedent for a music institution and a rare instance of a non-profit buying a for-profit company. David Stull, the institution’s President since 2013, is the man behind that vision. The entire building, in fact, is part of a vision for the conservatory’s identity that involves fluid relationships between communities and lectures halls, students and professionals, inside and outside. Glass at its street level emphasizes the symbolism of the building as a transparent conduit between the three worlds of academia, community and professional performance. In that district’s heart is where you now find the San Francisco Conservatory of Music’s Bowes Center, a brand new 170,000 square-foot vertical campus located across the street from the Davies Symphony Hall, featuring classrooms, residencies, dining halls, performance and rehearsal spaces, technology labs, offices, a professional recording studio and a radio station. Inside the district’s 300-plus acres are the Davies Symphony Hall, the War Memorial Opera House, the Asian Art Museum and the SF Jazz Center-all national and international magnets of culture. S an Francisco’s Civic Center is a large triangle of a dozen city blocks featuring landmark architecture around the historic City Hall building with its gold-leafed dome. Email San Francisco Conservatory of Music’s President David Stull has a vision for music education in the 21st century-beginning with a new building.
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